The Pension Beaurepas

I was not rich-on the contrary; and I had been told the Pension Beaurepas was cheap. I had, moreover, been told that a boarding- house is a capital place for the study of human nature. I had a fancy for a literary career, and a friend of mine had said to me, "If you mean to write you ought to go and live in a boarding-house; there is no other such place to pick up material." I had read something of this kind in a letter addressed by Stendhal to his sister: "I have a passionate desire to know human nature, and have a great mind to live in a boarding-house, where people cannot conceal their real characters." I was an admirer of La Chartreuse de Parme, and it appeared to me that one could not do better than follow in the footsteps of its author. I remembered, too, the magnificent boarding-house in Balzac's Pere Goriot, -the "pension bourgeoise des deux sexes et autres," kept by Madame Vauquer, nee De Conflans. Magnificent, I mean, as a piece of portraiture; the establishment, as an establishment, was certainly sordid enough, and I hoped for better things from the Pension Beaurepas. This institution was one of the most esteemed in Geneva, and, standing in a little garden of its own, not far from the lake, had a very homely, comfortable, sociable aspect. The regular entrance was, as one might say, at the back, which looked upon the street, or rather upon a little place, adorned like every place in Geneva, great or small, with a fountain. This fact was not prepossessing, for on crossing the threshold you found yourself more or less in the kitchen, encompassed with culinary odours. This, however, was no great matter, for at the Pension Beaurepas there was no attempt at gentility or at concealment of the domestic machinery. The latter was of a very simple sort. Madame Beaurepas was an excellent little old woman-she was very far advanced in life, and had been keeping a pension for forty years- whose only faults were that she was slightly deaf, that she was fond of a surreptitious pinch of snuff, and that, at the age of seventy- three, she wore flowers in her cap