The Miracle Man (1914). By

He was a misshapen thing, bulking a black blotch in the night at the entrance of the dark alleyway-like some lurking creature in its lair. He neither stood, nor kneeled, nor sat-no single word would describe his posture-he combined all three in a sort of repulsive, formless heap. The Flopper moved. He came out from the alleyway onto the pavement, into the lurid lights of the Bowery, flopping along knee to toe on one leg, dragging the other leg behind him-and the leg he dragged was limp and wobbled from the knee. One hand sought the pavement to balance himself and aid in locomotion; the other arm, the right, was twisted out from his body in the shape of an inverted V, the palm of his hand, with half curled, contorted fingers, almost touching his chin, as his head sagged at a stiff, set angle into his right shoulder. Hair straggled from the brim of a nondescript felt hat into his eyes, and curled, dirty and unshorn, around his ears and the nape of his neck. His face was covered with a stubble of four days' growth, his body with rags-a coat; a shirt, the button long since gone at the neck; and trousers gaping in wide rents at the knees, and torn at the ankles where they flapped around miss-mated socks and shoes....... Frank Lucius Packard (February 2, 1877 - February 17, 1942) was a Canadian novelist. Life: Frank L. Packard was born in Montreal, Quebec and educated at McGill University and the University of Liege. As a young man he worked as a civil engineer for the Canadian Pacific Railway. His experiences working on the railroad led to his writing many railroad stories, then to a series of mystery novels, the most famous of which featured a character called Jimmie Dale. Several of his novels were made into films. Frank Packard died in 1942 in Lachine, Quebec and was buried in the Mount Royal Cemetery in Montreal.