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Publisher Marketing: During the first week in November, the week within the Octave of All Souls, Durtal entered St. Sulpice, at eight o'clock in the evening. He often chose to turn into that church, because there was a trained choir, and because he could there examine himself at peace, apart from the crowd. The ugliness of the nave, with its heavy vaulting, vanished at night, the aisles were often empty, it was ill-lighted by a few lamps-it was possible for a man to chide his soul in secret, as if at home. Durtal sat down behind the high altar, on the left, in the aisle along the Rue de St. Sulpice; the lamps of the choir organ were lighted. Far off, in the almost empty nave, an ecclesiastic was preaching. He recognized, by the unctuousness of his delivery, and his oily accent, a well-fed priest who poured on his audience, according to his wont, his best known commonplaces. "Why are they so devoid of eloquence?" thought Durtal. "I have had the curiosity to listen to many of them, and they are much the same. They only vary in the tones of their voice. According to their temperament, some are bruised down in vinegar, others steeped in oil. There is no such thing as a clever combination." And he called to mind orators petted like tenors, Monsabre, Didon, those Coquelins of the Church, and lower yet than those products of the Catholic training school, that bellicose booby the Abbe d'Hulst. "Afterwards," he continued, "come the mediocrities, each puffed by the handful of devotees who listen to them. If those cooks of the soul had any skill, if they served their clients with delicate meats, theological essences, gravies of prayer, concentrated sauces of ideas, they would vegetate misunderstood by their flocks. So, on the whole, it is all for the best. The low-water mark of the clergy must conform to the level of the faithful, and indeed Providence has provided carefully for this." A stamping of shoes, then the movement of chairs grinding on the flags interrupted him. The sermon was over. Then a great stillness was broken by a prelude from the organ, which dropped to a low tone, a mere accompaniment to the voices." Contributor Bio:  Huysmans, J K J. K. Huysmans (1847-1907) began writing as a naturalist in the style of Zola. . He changed from being an obscure author and art critic to one of the most famous authors of his day with the publication of A Rebours (Against Nature) in 1884. His novel about Satanism, La-Bas (1891)is the cult novel of the nineteenth century.