King Arthur: Or, the British Worthy. a Masque As It is Performed at the Theatre-royal in Drury-lane. [altered by David Garrick.]

Publisher Marketing: Title: King Arthur: or, The British worthy. A masque ... as it is performed at the Theatre-Royal in Drury-Lane, etc. [Altered by David Garrick.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC. The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Dryden, John; 1770. pp. 49.; 8 . RB.23.a.14665. Contributor Bio:  Dryden, John John Dryden (1631-1700) was an English poet, critic and dramatist, responsible for nearly 30 plays. He was noted both for his elegant comedies and his heroic verse dramas, which introduced the principles of French neoclassicism to England. Dryden turned to drama following the reopening of the theatres at the Restoration; his first attempt, the comedy "The Wild Gallant", was presented in 1663 at Drury Lane. The success of his heroic drama "The Indian Emperor" established him as a leading playwright. Following "Aureng-Zebe" (1675), perhaps his best heroic work, Dryden abandoned the use of rhyming couplets, producing the oft-revived blank-verse tragedy" All for Love" (a retelling of Shakespeare's" Antony and Cleopatra") in 1677. Dryden was the first to write drama criticism in an informal modern style and the first to attempt a history of English drama in his essay "Of Dramatick Poesie" (1668). He eventually tired of playwriting and his final plays, such as the tragicomedy" Love Triumphant "(1694), were written to relieve financial problems after his fortunes fell with the abdication of James II.