The First Book of Architecture: by Andrea Palladio Translated out of Italian, with an Appendix Touching Doors and Windows, by Pr Le Muet Translated in

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryN031530With a half-title and an additional engraved titlepage.London: printed for S. H. and H. T.; and sold by James Knapton, Robert Knaplock, John and Benj. Sprint, Daniel Midwinter, Ranew Robinson, William and John Innis, and John Osborne, 1724. [4],238p., plates: ill.; 4 Contributor Bio:  Palladio, Andrea Pino Guidolotti was born in Verona in 1947. In the early 1970s he attended a set design course at the Fine Arts Academy of Bologna. His acquaintances and friends from that time turned out to be of fundamental importance for his future development as a photographer: Paolo Monti (to whom he became an assistant), Romeo Martinez in Paris, and Ernst Gombrich in London. Guidolotti's photography features subjects as varied as fashion, portraiture, sculpture, and architecture, and he has been published in major international magazines. He has also illustrated art books such as A. Rosenauer's, "Donatello. L'opera completa" (Milan 1993) and R. Wittkower's, "Bernini" (Milan 1990, London 1997). Born in Cicenza in 1961, Guido Beltramini is the director of the Centro Internazionale de Studi di Architettura "Andrea Palladio," Vicenza, and a professor at the University of Ferrara. He has edited several works: a catalogue of drawings by the 18th-century Palladio follower Ottone Calderari (Venice 1999), the catalogue for the exhibitions on Carlo Scarpa (Milan 2000), with Kurt Foster and Paola Marini, and the special issue of the Quaderni della Scuola Superiore de Pisa dedicated to digital models in architectural studies (Pisa 2000) with Marco Gaiani. Together with Howard Burns and Marco Gaiani, he has also devised and made several CD-ROMS: "Le fabbriche e i disegni di Andrea Palladio" (1996), "Andrea Palladio. Le ville" (1997), "Palladio and the Veneto" (1999), and "Palladio e Vicenza" (2001).