The Complete Dictionary of Music. Consisting of a Copious Explanation of All Words Necessary to a True Knowledge and Understanding of Music. Translated Fr

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Cambridge University LibraryT163022With a half-title. First published in same year as 'A dictionary of music'. The plates are numbered 469-470 to follow pagination.London: printed for J. French; and Fielding and Walker, [1779]. [4],468p., plates: music; 8 Contributor Bio:  Rousseau, Jean Jacques Jean-Jacques Rousseau (1712 - 1778) was a Genevan philosopher, writer, and composer of the 18th century. His political philosophy influenced the French Revolution as well as the overall development of modern political, sociological, and educational thought. Rousseau's novel Emile, or On Education is a treatise on the education of the whole person for citizenship. His sentimental novel Julie, or the New Heloise was of importance to the development of pre-romanticism and romanticism in fiction. Rousseau's autobiographical writings - his Confessions, which initiated the modern autobiography, and his Reveries of a Solitary Walker - exemplified the late 18th-century movement known as the Age of Sensibility, and featured an increased focus on subjectivity and introspection that later characterized modern writing. His Discourse on the Origin of Inequality and his On the Social Contract are cornerstones in modern political and social thought. He argued that private property was conventional and the beginning of true civil society. Rousseau was a successful composer of music, who wrote seven operas as well as music in other forms, and made contributions to music as a theorist. As a composer, his music was a blend of the late Baroque style and the emergent Classical fashion, and he belongs to the same generation of transitional composers as Christoph Willibald Gluck and C. P. E. Bach. One of his more well-known works is the one-act opera Le devin du village, containing the duet "Non, Colette n'est point trompeuse" which was later rearranged as a standalone song by Beethoven. During the period of the French Revolution, Rousseau was the most popular of the philosophes among members of the Jacobin Club. Rousseau was interred as a national hero in the Pantheon in Paris, in 1794, 16 years after his death..