Eroticism and the Body Politic - Parallax: Re-visions of Culture and Society

Jacket Description/Back: By the end of the nineteenth century, women had become an undeniable force both in the public discussion of social life and in politics itself. Yet in art and literature women's bodies continued to be represented-- and domesticated-- by men. They were still more often the object of the artist's or writer's gaze than they were the subject of their own representing processes. The erotic potential of women's bodies, however, was far from a marginal concern in the elaboration of modern forms of politics, art, literature, and psychology. In "Eroticism and the Body Politic", scholars from art history, history, and literature examine the frequent intersections between the body erotic and the body politic. Focusing on eighteenth- and nineteenth-century France, they show how eroticized representations of bodies had a multitude of political and cultural meanings. The authors consider the eroticized body in a wide variety of media: from Fragonard's paintings of "erotic mothers", to political pornography attacking Marie Antoinette, to the "new woman" of fin-de-siecle decorative arts. Exploring the possibilities of a multidisiplinary approach, the volume shows that eroticism had an impact far beyond the usual confines of libertine or pornographic literature-- and that politics included much more than voting, meeting, or demonstrating. At a time of general methodological ferment in the "human sciences", "Eroticism and the Body Politic" brings fresh approaches to the developing field of cultural studies. Review Quotes: "Its real accomplishment -- and it is a significant one -- is in mapping out an essentially new field of inquiry and inspiring other scholars to investigate that territory." -- Women's Review of BooksReview Quotes: "An excellent, informative, intriguing collection of essays." -- Nineteenth-Century French StudiesReview Quotes: "The interpretations here are sharp and provocative, and their implications go far beyond the specific historical moment they address." -- Virginia Quarterly ReviewReview Quotes:"An excellent, informative, intriguing collection of essays." -- Nineteenth-Century French StudiesReview Quotes:"The interpretations here are sharp and provocative, and their implications go far beyond the specific historical moment they address." -- Virginia Quarterly ReviewReview Quotes:"Its real accomplishment -- and it is a significant one -- is in mapping out an essentially new field of inquiry and inspiring other scholars to investigate that territory." -- Women's Review of BooksPublisher Marketing: By the end of the nineteenth century, women had become an undeniable force both in the public discussion of social life and in politics itself. Yet in art and literature women's bodies continued to be represented-- and domesticated-- by men. They were still more often the object of the artist's or writer's gaze than they were the subject of their own representing processes. The erotic potential of women's bodies, however, was far from a marginal concern in the elaboration of modern forms of politics, art, literature, and psychology. In "Eroticism and the Body Politic," scholars from art history, history, and literature examine the frequent intersections between the body erotic and the body politic. Focusing on eighteenth- and nineteenth-century France, they show how eroticized representations of bodies had a multitude of political and cultural meanings. The authors consider the eroticized body in a wide variety of media: from Fragonard's paintings of "erotic mothers," to political pornography attacking Marie Antoinette, to the "new woman" of fin-de-siecle decorative arts. Exploring the possibilities of a multidisiplinary approach, the volume shows that eroticism had an impact far beyond the usual confines of libertine or pornographic literature-- and that politics included much more than voting, meeting, or demonstrating. At a time of general methodological ferment in the "human sciences," "Eroticism and the Body Politic" brings fresh approaches to the developing field of cultural studies.

Contributor Bio:  Hunt, Lynn Lynn Hunt is Distinguished Research Professor at UCLA, former president of the American Historical Association, and author of numerous works, including Writing History in the Global Era, Inventing Human Rights and Telling the Truth about History. She lives in Los Angeles.